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R.I.P. Yogi (Joe Barbera dead at 95)
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PostPosted: Tue Dec 19, 2006 1:06 am    Post subject: R.I.P. Yogi (Joe Barbera dead at 95) Reply with quote

Yogi Bear creator Joe Barbera dies at 95


LOS ANGELES - Joe Barbera, half of the Hanna-Barbera animation team that produced such beloved cartoon characters as Tom and Jerry, Yogi Bear and the Flintstones, died Monday, a Warner Bros. spokesman said. He was 95.

Barbera died of natural causes at his home with his wife Sheila at his side, Warner Bros. spokesman Gary Miereanu said.

With his longtime partner, Bill Hanna, Barbera first found success creating the highly successful Tom and Jerry cartoons. The antics of the battling cat and mouse went on to win seven Academy Awards, more than any other series with the same characters.

The partners, who teamed up while working at MGM in the 1930s, then went on to a whole new realm of success in the 1960s with a witty series of animated TV comedies, including "The Flintstones," "The Jetsons," "Yogi Bear," "Scooby-Doo" and "Huckleberry Hound and Friends."

Their strengths melded perfectly, critic Leonard Maltin wrote in his book "Of Mice and Magic: A History of American Animated Cartoons." Barbera brought the comic gags and skilled drawing, while Hanna brought warmth and a keen sense of timing.

"This writing-directing team may hold a record for producing consistently superior cartoons using the same characters year after year — without a break or change in routine," Maltin wrote.

"From the Stone Age to the Space Age and from primetime to Saturday mornings, syndication and cable, the characters he created with his late partner, William Hanna, are not only animated superstars, but also a very beloved part of American pop culture. While he will be missed by his family and friends, Joe will live on through his work," Warner Bros. Chairman and CEO Barry Meyer said Monday.

Hanna, who died in 2001, once said he was never a good artist but his partner could "capture mood and expression in a quick sketch better than anyone I've ever known."

The two first teamed cat and mouse in the short "Puss Gets the Boot." It earned an Academy Award nomination, and MGM let the pair keep experimenting until the full-fledged Tom and Jerry characters eventually were born.

Jerry was borrowed for the mostly live-action musical "Anchors Aweigh," dancing with Gene Kelly in a scene that become a screen classic.

After MGM folded its animation department in the mid-1950s, Hanna and Barbera were forced to go into business for themselves. With television's sharply lower budgets, their new cartoons put more stress on verbal wit rather than the detailed — and expensive — action featured in theatrical cartoon.

Like "The Simpsons" three decades later, "The Flintstones" found success in prime-time TV by not limiting its reach to children. The program, a parody of "The Honeymooners," was among the 20 most popular shows on television during the 1960-61 season, and Fred's shout of "yabba dabba doo!" entered the language.

The Jetsons, which debuted in 1962, were the futuristic mirror image of the Flintstones.

"It was a family comedy with everyday situations and problems that we window-dressed with gimmicks and inventions," Barbera once said. "Our stories were such a contrast to many of the animated series that are straight destruction and blasting away for a solid half-hour."

The show ran just one season on network TV but was often rerun, and the characters were revived in the 1980s in a syndicated show. Barbera said he liked the freedom syndication gave the producers, with none of the meddling from network executives.

"Today, Charlie Chaplin couldn't get his material by a network," he once said.

Even so, the influence of Hanna-Barbera was felt for decades. In 2002 and again in 2004, characters from the cartoon series "Scooby-Doo" were brought to the big screen in films that combined live actors and animation.

Hanna-Barbera, meanwhile, received eight Emmys, including the Governors Award of the Academy of Television Arts & Sciences in 1988.

"Joe Barbara was a passionate storyteller and a creative genius who, along with his late partner Bill Hanna, helped pioneer the world of animation," said friend, colleague and Warner animation President Sander Schwartz. "Joe's contributions to both the animation and television industries are without parallel — he has been personally responsible for entertaining countless millions of viewers across the globe."

Neither Hanna, born in 1910, nor Barbera, born in 1911, set out to be cartoonists. Barbera, who grew up in the New York City borough of Brooklyn, originally went into banking. Soon, however, he turned his doodles into magazine cartoons and then into a job as an animator.

Hanna, who had studied engineering and journalism, originally went into animation because he needed a job.

Although not the hit factory it was in the '50s and '60s, the Hanna-Barbera studio remained active through the years. It eventually became a subsidiary of Great American Communications Co., and in 1991 it was purchased by a partnership including Turner Broadcasting System, which used the studio's library when it launched cable TV's Cartoon Network in 1992. Turner is now part of Time Warner.

Funeral arrangements were pending, Miereanu said. In addition to his wife, the animator is survived by three children from a previous marriage, Jayne, Neal and Lynn.

___

well, he had a long life, and he will be missed. R.I.P. man
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PostPosted: Tue Dec 19, 2006 1:15 am    Post subject: Reply with quote

well, yogi didnt really die. more like the creator.

unfortunately, the man didnt appear to often in public. however, he created the flinstones and for that i will be forever thankful.
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PostPosted: Tue Dec 19, 2006 1:16 am    Post subject: Reply with quote

Half of the pair that authored some of the shittiest and by-numbers cartoons ever. Yet, he truly had some great hits and classics in there, too. RIP and such.
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PostPosted: Tue Dec 19, 2006 1:19 am    Post subject: Reply with quote

without him, there would be no harvey birdman attourney at law, either.
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PostPosted: Tue Dec 19, 2006 1:24 am    Post subject: Reply with quote

Shit. I love that show.
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PostPosted: Tue Dec 19, 2006 1:53 am    Post subject: Reply with quote

May he rest in endless repeating background heaven.
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PostPosted: Tue Dec 19, 2006 2:35 am    Post subject: Reply with quote

Jeez, you have been the angel of bad news around here lately Stee.

*sigh* Harvey Birdman, where would I be without you?
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PostPosted: Wed Dec 20, 2006 5:22 am    Post subject: Reply with quote

goddammit the man made more than yogi Mad

Quote:
Half of the pair that authored some of the shittiest and by-numbers cartoons ever.


sigh... those were only on TV. even yogi was good in the early years. and regardless of how much the backgrounds were 'repeated', they were better drawn and more interesting than ANYTHING YOU WILL SEE TODAY.

hannah and barbera's works pre 1960 show just how unbearable cartoons are today.

I HATE CGI >:'{
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PostPosted: Wed Dec 20, 2006 4:44 pm    Post subject: Reply with quote

Rocky Sullivan wrote:
they were better drawn and more interesting than ANYTHING YOU WILL SEE TODAY.

I really wish 12 oz. mouse wasn't taking up a time slot where nothing else is on.
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.daerps em pleh ot erutangis ruoy otni em ypoC .suriv erutangis a ma I
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PostPosted: Sat Dec 23, 2006 6:29 am    Post subject: Reply with quote

Rocky Sullivan wrote:
goddammit the man made more than yogi Mad

Quote:
Half of the pair that authored some of the shittiest and by-numbers cartoons ever.


sigh... those were only on TV. even yogi was good in the early years. and regardless of how much the backgrounds were 'repeated', they were better drawn and more interesting than ANYTHING YOU WILL SEE TODAY.

hannah and barbera's works pre 1960 show just how unbearable cartoons are today.

I HATE CGI >:'{




I love you.

Oh and lets not forget all the hip indy cartoons that come on Adult Swim.

"OMG THIS CARTOON IS POORLY DRAWN IN MARKER AND HAS ADULT HUMOR! ITS NOW OFFICIALLY COOL TO WATCH!"
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PostPosted: Sat Dec 23, 2006 6:39 am    Post subject: Reply with quote

I like Metalocalypse and Frisky Dingo on Adult Swim, though.
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PostPosted: Sat Dec 23, 2006 6:43 am    Post subject: Reply with quote

Homestarrunnernet wrote:
I like Metalocalypse and Frisky Dingo on Adult Swim, though.


YOU LIKE METALOCALYPSE?

I'd have NEVER guessed.
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PostPosted: Sat Dec 23, 2006 6:51 am    Post subject: Reply with quote

home movies was genius. tom goes to the mayor is great, but doesnt qualify as animation (and i think everyone knows this...in fact it's turned into a live action show now).

metalocalypse is alright, and harvey birdman is really clever, and doesnt have limited animation.
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PostPosted: Sat Dec 23, 2006 2:16 pm    Post subject: Reply with quote

Quote:
harvey birdman is really clever, and doesnt have limited animation.


http://www.youtube.com/watch?v=0N7ljx_AGRs

http://www.youtube.com/watch?v=ZpjzTqwtFf0

sigh.

harvey birdman looks, in a word - boring. absolutely mundane. as far as I'm concerned, the longer you watch it, the more stupid you become. it doesn't even add any interesting sight gags or character design like ren and stimpy. it's just a retarded show for dropouts that don't like to think or appreciate ART.

also I'm not having a go at anyone here personally, I just don't like adult swim.
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PostPosted: Sat Dec 23, 2006 3:27 pm    Post subject: Reply with quote

Rocky Sullivan wrote:


hannah and barbera's works pre 1960 show just how unbearable cartoons are today.

I HATE CGI >:'{


I agree completely.
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